Showing posts with label writers on writing. Show all posts
Showing posts with label writers on writing. Show all posts

Wednesday, June 18, 2008

5 Q's with Catherine Banner

Nineteen year old British author Catherine Banner has been called the next JK Rowling, and her first book, The Eyes of a King, recently came out in hardcover. I was thrilled that Catherine agreed to an interview with me. Here's how this teen lit sensation managed to land a three-book publishing deal...

Urban Muse: How did you juggle friends, school, and writing? Was that a challenge?
Catherine:
It was definitely a challenge at times, and sometimes it meant working quite long days, or having to sacrifice other things like going out in the evenings. But my friends and family have been very supportive, so that helped me a lot when I was trying to balance writing with other commitments. The fact that they thought writing was worth pursuing was a big encouragement to me. And writing is what I love doing, so in a way it would be very difficult to sacrifice that instead. I think how I finished The Eyes of a King was by working on it nearly every day even if that was only for a short time. So over a year and a half the book came together.

UM: Did you ever experience writer's block? How did you combat it?
C:
Sometimes if I’m finding it hard to see where to go with a particular section of the story it helps to work on a different part instead. Then maybe when you come back to it the problem has resolved itself. Or I try to concentrate on something completely different so I have time to think about the story. That was one way being at school at the same time as writing my first novel really helped me, because there was always something else to focus on for a day or two.

UM: Did you find an agent or publisher first? What was that process like?
C:
I found an agent first, and the circumstances were very lucky. A few months after finishing my first novel I went to a talk about how to get into professional writing at a local literary festival. An agent, Simon Trewin, was talking, and afterwards I went up and asked him a question and he offered to read my work. So I sent the novel off to him, and a few weeks later he phoned to tell me he wanted to represent me. After that he found a publisher for the trilogy very quickly. So I think I was really lucky to be in the right place at the right time. The publication process itself has been quite humbling. At every stage there have been so many people willing to contribute their talents to turn the original manuscript into a published book; writing is a solitary profession but you don’t ever feel that you are working on your own because of that.

UM: What books or writers inspire you?
C:
I think I try to write starting from real life and from the characters whose stories I want to tell, so there isn’t a particular tradition of writing that I see myself fitting into. But there are certain books that maybe inspired me to want to be a writer when I was growing up. One story that captured my imagination when I was young was The Lion, the Witch and the Wardrobe, because I found the stories in that series easy to believe in even though they were extraordinary and magical. Later I found books like To Kill a Mockingbird inspiring; writing at its best and most honest is one of the things that most convinced me that it was a craft worth pursuing. Another book I admire but which I only read recently is The Catcher in the Rye. I think the voice is so clever and you really believe in it, and I also read that it was one of the first books to be really popular among young adults so in a way it’s defined the tradition.

UM: Any advice for other young writers?
C:
I haven’t been a writer for that long, so I’m still learning all the time. One thing I found helpful was reading books on writing; it’s a profession that I didn’t really know much about, and books on writing were useful even just on a practical level because they told me a lot about that. I also think you have to keep a certain determination to finish a novel, so to write about characters who captured my imagination enough to keep writing about them was really essential from the start. But I think the most important thing that I try to do in my own work is to only write about characters that I really care about, and leave out anything that doesn’t come from the heart.

Thanks, Catherine. Congrats on your book release!

Catherine Banner photo courtesy of Simon Trewin


Tuesday, June 10, 2008

5 Q's with Liza Monroy

I last interviewed Liza Monroy almost a year ago. Her first novel, Mexican High, hits bookstores today, so Liza and I decided to catch up and chat more about fiction vs. nonfiction.

Urban Muse: Could you tell us about finding a publisher for your novel?
Liza:
During the process of writing I was completely unsure if it would ever be published, so first I'd like to say how much a labor of love it is to write a novel! So I was thrilled to land with Cindy Spiegel of Spiegel & Grau. I used to work as an assistant in the book publishing industry, and I'd admired Cindy from afar for quite some time. She edited James McBride's The Color of Water, one of my favorite memoirs, and The Kite Runner, one of the most hugely successful novels of recent years. I'd read, and saved, an ELLE magazine interview with Cindy and Julie Grau, her partner at their division of Random House, and I actually suggested to my agent that we submit the novel to her. I saw it as akin to applying to colleges and throwing one in to Harvard just because you can. I never imagined she'd become my editor, but she responded to the work and the call from my agent saying she wanted the book was a dream come true. I was sitting in my cubicle at JANE magazine and literally thought I was dreaming. My agent, Jennifer Lyons, asked if I wanted her to check in with other editors who were reading the draft, and I said, no way, this is it.

UM: Do you prefer writing fiction or non-fiction?
L:
I love working in both forms in addition to screenplays and poetry, but I'd say my most natural mode is nonfiction. I started out writing personal essays and the novel had a rough incarnation as a memoir. But fiction feels so freeing. I love being able to decide on characters' decisions and fates rather than recounting and deriving meaning from events that have already happened. That said, my second book, which I am at work on now, is a memoir.


UM: How did you shift gears between writing features and writing a novel?
L:
One was always there to give me respite from the other. When I felt stalled in the novel, I'd send out pitches and do some freelancing, and when I felt energized again, I'd go back to the novel. I definitely needed breaks from each, because it's easy to burn out sometimes as a freelance journalist, while writing a novel on spec isn't paying any bills. So I had to mentally differentiate between "work" writing and "fun" writing, yet of course writing features is also fun, and the novel was also work.


UM: Any advice for first time novelists?
L:
See it through! Even on days when you want to throw your computer out the window, when everything seems stalled, when you don't know where you're headed. Write, write, and write through the tough spots. Always stay producing, even if you feel you'll remove those pages later. Everyone has their own process, but for me it was crucial to keep churning out pages, keep what stuck, and put the rest in an "outtakes" file.


UM: What's next for you?
L:
I'm writing a memoir -- the working title is ALL SHOOK UP -- evoking Elvis and earthquakes. It's about immigration, gay marriage, and redefining family. I'm in the throes of Columbia's MFA program, concentrating in Nonfiction, as teaching university-level creative writing is another goal of mine. For the next two years, I'm teaching undergraduate composition at Columbia. I'm still freelancing and writing a screenplay in my free time. Eventually, I want to return to California -- I live in beautiful brownstone Brooklyn these days -- or move abroad, or embark on some other big adventure. I think the most important thing for a writer is intensive living combined with time for reflection.

Thanks, Liza! Congrats on your book release. Can't wait to read that memoir.

Wednesday, May 7, 2008

5 Q's with Maggie Marton

Maggie Marton just completed her MA in writing at Hopkins. Her recent recent article in BUST magazine caught my eye, but she has also written for NationalGeographic.com and NicoleWilliams.com. All this while keeping a day job, too! Gotta admire those multi-taking skills.

Urban Muse: What clip are you most proud of? Why?
Maggie:
I wrote an article for BUST called “The Lazy Environmentalist.” I’m incredibly proud of this one because I loved the magazine for years, so it was an honor to write for them. Plus I was excited to have the opportunity to research and write about sustainability from the angle of small changes that anyone can take to be a little greener. It was the perfect intersection of a magazine I love and a topic I care about.

UM: Any tips on juggling freelance writing and a full time job?
M:
Invest in TiVo! Or, more broadly, set clear priorities. Working eight hours a day drains a lot of my creative energy, and it’s easy to get home and sit down to watch TV. But freelance writing is what I truly love, so I make myself set aside time, and I make it official by putting it on my calendar. I had a writing teacher once say that if you have time to keep up with American Idol, then you have time to write. I try to observe that everyday by eliminating mindless distractions so that my writing becomes my number one priority. Then, on the weekend, I can reward myself for a week of hard work by catching up on my favorite shows.

UM: What do you know now that you wish you'd known when you started freelancing?
M:
It’s unlike any other industry because it takes more than just time to build up a solid freelancing career. After I sold my first couple pieces I thought bigger markets would instantly open up or editors would start banging down my door. But it takes a lot of hard work to sell ideas, and it takes even more hard work and consistent service to get editors to contact you with their ideas.

UM: How do you handle rejection?
M:
I was crushed when I got my first rejection, which was, of course, for the very first query I ever sent out. I obsessed over it, read and reread the “thanks, but no thanks” email, stared at my query letter, and tried to figure out where I went wrong. That’s incredibly unproductive, and I wasted a lot of time obsessing instead of searching for other places to send the idea. So now I go into each new pitch assuming it’ll take a couple tries to find the right editor. With each new idea, I make a list of five people to send it to, assuming that it’ll get rejected at least a few times. That way, when I get a rejection, I already have the next editor lined up, and acceptance is always a pleasant surprise!

UM: Who are your favorite authors?
M:
I love to read and will try just about anything. I’m really lucky because I get to sample new authors as a reviewer for the blog Conversations with Famous Authors. Right now, though, I’m reading a lot of humor from authors like A.J. Jacobs and David Sedaris.

Thanks, Maggie!

Wednesday, April 30, 2008

5 Q's with Trish Ryan

Trish Ryan is a longtime Urban Muse reader and a fellow Cantabridgian. Her first book, He Loves Me, He Loves Me Not, comes out this week, and I couldn’t be more thrilled for her. Trish and I talked about finding a publisher, favorite authors, and more.

Urban Muse: How did you stay motivated when you were writing your book?
Trish:
One of my favorite things about being a writer is that you can edit. So motivation wasn’t too much of a problem, because every sentence I wrote carried (in my mind, at least) the caveat that it wasn’t necessarily going in the book. These were all just ideas I was capturing; I tried not to get attached. This is, I suspect, what it must be like shop with an unlimited budget: you have the freedom to try all sorts of crazy things, then decide later what you’ll actually wear.

UM: Could you tell us about the process of finding a publisher?
T:
When I queried my wonderful agent, Elisabeth Weed, she’d just had lunch with Chris Park, an editor at Hachette who’d said something to the effect of, “I’m looking for an edgy book about faith.” So Chris was on Elisabeth’s list when we sent out the proposal. It was pretty much a perfect fit from the start…not at all something I could have orchestrated! But I’m super grateful, as Chris and her team really understood my vision and the story I wanted to tell.

UM: Any tips for first time authors?
T:
I’m fairly certain I don’t have anything to offer new authors that hasn’t been said before, but here are my “big three”: Be teachable, Connect with other authors, and Read everything you can get your hands on.

UM: Who are some of your favorite authors?
T:
It’s a long list! I have been a voracious reader since I was a little girl (my favorite day of school was when they handed out the deliveries from the Scholastic Book Club) and that continues to this day. I just finished two memoirs that were spectacular: THE MIDDLE PLACE by Kelly Corrigan, and REDEEMED by Heather King. Fiction-wise, I’m anxiously awaiting Allison Winn Scotch’s next novel, and Lisa Tucker’s latest, THE CURE FOR THE MODERN LIFE is one of the best stories I’ve ever read. Her creativity amazes me. And Anna Quindlen is a huge inspiration—she does it all.

UM: What are you working on next?
T:
My next book will pick up where HE LOVES ME, HE LOVES ME NOT left off, with stories of figuring out this new stage in my life. It’s been an entertaining few years, and I’ve fallen in a pothole or two along the way (as readers of my blog can attest) so the book should be plenty fun to write!

Thanks, Trish! Can’t wait for the launch party.

Wednesday, April 23, 2008

5 Q's Update

I've been posting interviews with other writers on and off for the past year. I think we've all gleaned some insights from their wisdom (at least I know I have), but the results of my informal poll show that's not the content you're most interested in. And honestly, I'm happy to drop that from my to do list. I will still interview writers when the mood strikes, but not on a weekly basis and not necessarily on Wednesdays (I might shake things up and post on a Monday - who knows?).

But... There are two 5 Q's alums who have exciting new projects going on, so I thought I'd highlight them this week.

First, Jen A. Miller's guide to The Jersey Shore just came out. Jen is a busy writer who has contributed to The New York Times, Woman's Day, and Psychology Today, among other places. She's also an avid book reviewer. In case you missed our interview back in December, you can read it here.

Second, the paperback edition of Allison Winn Scotch's The Department of Lost & Found is available this week. Allison has contributed to many of the glossies, and she generously shares advice with other aspiring writers at Ask Allison. I read the hardcover edition of her novel and thoroughly enjoyed it. Allison participated in 5 Q's last May.

Happy reading!

Wednesday, April 16, 2008

5 Q's with Alexandra Levit

A friend of mine recommended Alexandra Levit's book They Don't Teach Corporate in College. I enjoyed it so much that I interviewed Alexandra for an article on myths about the working world (more on that later). Once I heard about all of her new writing projects (including How'd You Score That Gig? which comes out this week), I also asked Alexandra to do an interview on the blog. She graciously accepted...

Urban Muse: How have you managed to juggle working full time with your writing and home life?
Alexandra:
When I was writing my first book, They Don't Teach Corporate in College, I had no choice but to work full time and write on the weekends, as I had to make a living! I was fortunate, though, in that the book did well, and I was able to parlay it into a new career as an author and public speaker. By the time I was working on my new book about dream careers, How'd You Score That Gig?, I had the freedom to do my marketing communications consulting three days a week, and spend the rest of the work week interviewing and writing. I tried not to work on weekends this time around, so that I felt I had enough time to spend with my friends and family.

UM: Did you go through an agent or directly to publishers for your first book? What was that process like?
A:
I sold a nonfiction book proposal about surviving the corporate world as a new college grad directly to a small publisher, and was then paid a small advance to write the book. Selling it actually wasn't that difficult and didn't take that long, but one of the worst days of my life was when that first publisher went out of business, and the book, already written, was without a home. Luckily, with the help of an agent this time, I re-sold the book eventually and it was published as They Don't Teach Corporate in College in late 2004.

UM: Any tips you'd like to share with first-time book authors?
A:
First, find a niche, or a topic you think is interesting that you can offer a unique perspective on and that hasn't been done to death already. Then, start and market a blog on this topic before attempting to sell a book proposal. Having a successful blog makes one very attractive to editors who are looking for writers with an already-established audience.

UM: You've successfully positioned yourself as an expert on young people in the workforce. How does one create a niche for oneself?
A:
In order to sell anything, a book included, you must be able to differentiate it from the competition. We've mentioned niches. To find one, look to your own experiences for something that's personally meaningful to you, that you feel passionate about. Then do some research to determine what has been written on that subject, and by whom. Your goal is to create a spin on the topic that hasn't been addressed before, in which you can offer certain knowledge or expertise. The spin doesn't have to be completely different from what's out there, just a littledifferent. Even though I've published a few books already, I still have to differentiate each new idea I come up with. For instance, How'd You Score That Gig? is different from other books about dream careers in that it organizes the jobs by personality profile and is written in an engaging narrative style rather than a thumb-through, reference style.

UM: What's next for you?
A:
I'm in the process of promoting How'd You Score That Gig? and my third book, Success for Hire, now. This summer, I will begin work on Change Your Job, Change Your Life (Random House/Ballantine, 2009), which will profile people who have made drastic but successful career changes. If any of your readers have done this, I would love to hear from them!

UM: Alexandra, congrats on your new book, and thanks for sharing your insights with Urban Muse readers!

Wednesday, April 9, 2008

5 Q's with Leslie Pepper

This week's 5 Q's subject is Leslie Pepper, an editor-turned-freelance writer who has contributed to magazines including Women's Health, Parade, Good Housekeeping, and Parenting. Here are Leslie's insights into winning over your editor, finding a niche, and other tricks of the writing trade...

Urban Muse: Since you've worked as an editor, is there anything that a freelancer should or should not do in their query and initial communication with an editor?
Leslie: Um, can we start with spell my name right? It’s infuriating that when my name is printed on a masthead, some bumbleheads can’t copy it down correctly. If you can’t get that straight, you’re going to have a very difficult time getting your facts straight on a story. I won’t read anything further. And read back issues of the magazine – if we’ve covered your idea in last month’s issue, I’m going to have a tough time believing that you have actually even read a copy of the magazine ever.

UM: How do you stay focused when you're working on a project?
L: Focused? Me? Ha! I’m usually working on four to five different stories at a time, and I have three children, so I don’t think you can say the words Leslie and focus in the same sentence. I sometimes work in 10-minute time chunks – email someone here, interview someone there, then write up a few lines later. It’s actually a miracle I get anything done. I don’t think that’s helping your readers much, is it?

UM: Well, I don't have kids, but I'm glad to hear I'm not the only writer who struggles with that! What writing clip are you most proud of? Why?
L: That’s tough because there are a few I’m proud of, but I’m probably most proud of a piece I wrote for Child, about how kids are no longer allowed to fail. We, as parents, think our kids must be happy happy happy all the time, and we’re constantly trying to bolster their egos by telling them how wonderful they are. And with that, we never allow them to fail – we give every kid a trophy on the soccer field, we don’t let kids play musical chairs at birthday parties anymore, for fear that the kids that get out will be upset – so we’re raising a nation of children who are ill-equipped to handle the real world. The piece was originally my idea, and it was a great collaboration with my editors. Child was a great magazine. I’m crushed that it folded.

UM: How important is finding a niche?
L: I fell into my niche – health, because the health and fitness editor was leaving New Woman (the magazine I worked for) and they offered me that spot. I lucked out because I just loved it. After I went freelance I got even luckier – I hit it off with the then-executive editor of Marie Claire, and she offered me a monthly health column. So health (and by extension diet and nutrition) just became my beat. That’s not answering your question, is it? My friend Kelly James-Enger is big into this – finding your niche. I do think it’s important to have a specialty for a few reasons. First, it can make you an editor’s go-to gal – when an editor has a health story to assign, I hope I’d be at the top of her list. Second, it makes your job easier. I have a Rolodex full of health experts that I can call on when I need interviews. I know what websites to go to when I’m researching a health story. So I’m essentially starting with a base of knowledge already, which makes my job easier. That’s not to say that I don’t do stories outside my niche. I also do parenting articles - I recently wrote a piece on dealing with kids who are different than you for Family Circle. And I do articles that are completely out of my realm - I had piece last month in Parade about extended warranties. Those pieces do take longer, because I’m starting from scratch with each one. But it’s fun to stretch my brain a bit.

UM: What are your interests outside of writing?
L: Is it cliché to say my kids? Free time is pretty much non-existent in my world! These days I’m addicted to Scrabulous, but that’s about all the time outside of writing and my kids that I have!

UM: I'm not going near Scrabulous, because it sounds highly addictive. Thanks for sharing your insights on writing, Leslie!

Wednesday, March 26, 2008

5 Q's with Kristina Grish

Kristina Grish was featured in the new book Time to Write and has contributed to Marie Claire, Teen Vogue, and Men's Health. She's also written a few books of her own, including The Joy of Text: Dating, Mating and Techno-Relating. Here's what she had to say about writing...

Urban Muse: Tell us about your first big writing clip.
Kristina:
Before I decided to write full-time, I was a fashion director and stylist. But my friend was an editor for Teen Vogue, so she assigned me a Q&A with a Nike footwear designer who was super hot, because I had such a specific knowledge of the market - and, well, he was super hot. I was single and he was newly married - although we didn't know about his nuptials at the time. I think I talked to him about shoes for 1/16 of the afternoon we spent together - and then I took him shopping. It was such a fantastic afternoon. I had to keep reminding myself that I was on an interview and not on a blind date!

UM: Do you have any tips for dealing with rejection?
K:
It sounds cliche, but: try, try again. I've actually found that if you pitch 10 unusable ideas to the same editor in a really fun and friendly manner, you'll end up building rapport - and eventually landing a small story out of friendship, pity, or both. It's a foot in the door, that then leads to drinks, which then leads to bigger stories, and so on. I have more than a few half-cocked pitches to thank for some of my best magazine introductions.

UM: What is the best advice you ever got about writing?
K:
This is such a hard question, because I don't think I've ever received a lot of advice about conceptual writing. But I did have an AP english teacher who was intent on making sure we mastered the transitional sentence. She taught us the importance of repetition and flow, and it's always stuck with me. That, and how to use semi-colons. God, I love a man who knows how to properly use semi-colons. I think it's so sexy.

I will say, however, that a lot of people insist that you find a writing niche and stick with it - and make sure you spend years developing a platform for magazine work or books. And I've jumped categories so much that I really refuse to buy it. I know it makes an agent's or editor's job easier, but a good writer can write about fruit flies for 1500 words and make them sexy, funny, or interesting. It's all about turning a phrase.

UM: What are some of your favorite books or book authors?
K:
Lorrie Moore, Jonathan Safran Foeur, Rick Moody. I also like Amy Hempel, Miranda July. "Extremely Loud and Incredibly Close" made me cry for days - no joke, DAYS. While Josh Kilmer-Purcell's "I Am Not Myself These Days" made me laugh harder than I have in years. I actually wrote Josh my first, and likely my last, piece of fan mail ever. It's weird as a writer to send another writer an email, but I had to love him up.

UM: Any new projects in the works?
K:
Right now, I'm writing for a handful of magazines, wrapping up my blog for womenshealthmag.com about my first year of marriage ("Wedlocked"), and brainstorming like hell for a new book concept. I've had a lot of health issues lately, and so health/wellness is very top of mind. I'm too scared to memoir it though; it's a tricky genre, in which I'm lately hesitant to tread.

Thanks, Kristina!

P.S. This next week is going to be really hectic for me, so I'm skipping 5 Q's next week. Check out the archives if you're curious.

Wednesday, March 19, 2008

5 Q's with Janice Erlbaum

Janice Erlbaum is the author of memoirs called Girlbomb and Have You Found Her, which chronicle her experiences being homeless (update: I should clarify that the second book is when goes back to volunteer at the shelter where she used to live). I'm two-thirds of my way through the latter, and so far it's great read with sharp descriptions and memorable characters. Here's how Janice tackles writing...

Urban Muse: What time of day do you find you're most creative and able to write?
Janice:
My routine goes something like this: Get up around 7:30 or 8, hit the treadmill for an hour, shower, answer some email, and get to my workspace (a writers' room called Paragraph) around 11am. Open my notebook and blow off some steam for twenty minutes or so, then write until 1, when it's lunchtime. After lunch, I get back to my desk for another two-hour writing session, then I stop by the grocery store and go home to yet more email, maybe a blog post, and a recap of the day in my notebook.

UM: How do you stay disciplined when you're working on a manuscript?
J:
I stay disciplined through fear! I hate, hate, hate being late or not following through with commitments I've made, so when I have a deadline, I will do anything to meet it. And when I don't have a professional deadline, I've used the unofficial deadline provided by my writers' group. The group meets every few weeks to discuss our recent work, so if I don't have any recent work, I make sure to write some for our meeting. I highly recommend working with a supportive group – it's made all the difference to me.

UM: You write about some pretty personal stuff. Have you had to deal with any criticism for this?
J:
Oh yeah, tons. I've heard criticism from reviewers, who feel free to attack not only my writing, but my character, and the way I've lived my life (trust me, I'm not proud of all of it either); I've also heard criticism from people I've written about, who don't care what kind of personal shit I reveal about myself, but would prefer if I didn't write personal shit about them (hey, I tried disguising your character; sorry if you recognize yourself anyway). But most readers are awesome – most readers congratulate me for acknowledging the painful, ugly, embarrassing stuff about myself. That more than makes up for any criticism I receive.

UM: Any advice for first time authors?
J:
If you find yourself in the enviable position of having a book published, I highly suggest that you sit down with your agent and ask her or him what you can expect from every step of the process. That way there will be no surprises when your editor announces that they've pushed back your publication date, that they're making your book a paperback original, that you're not getting a book tour, that your chances of getting on Oprah are nil, etc. Keep your expectations low and your gratitude level high. Be nice to everyone, everyone, and always say thank you. Work your ass off to get pieces published in magazines, on blogs, or wherever possible. And don't worry about sales – worry about readers' responses. If you only sell 750 books, but every one of those 750 people loved your book, that's a success. Your publisher might not think so, but your readers will.

UM: What's next for you?
J:
Having written two memoirs, I think I'm turning to fiction next. I'm continuing to derive inspiration from my life, but rather than write the-truth-the-whole-truth-and-nothing-but-the-truth, I think I'm going to allow myself (and the people in my life) a little more privacy this time around. And I'm continuing to teach memoir writing, which is a vital part of my life. The satisfaction I get from helping people tell their stories is immense – I hope my students know how much I gain from our work together.

Thanks, Janice. Check out Janice's blog for more.

Wednesday, March 12, 2008

5 Q's with Deborah Reber

This week's 5 Q's subject is Seattle writer Deborah Reber, whom I "met" through a Yahoo! group for writers (behold the power of online networking!). Deborah has authored several books, including In Their Shoes: Extraordinary Women Describe Their Amazing Careers and the forthcoming Chill: Stress-Reducing Techniques for a More Balanced, Peaceful You. We chatted about the publishing process and her newest projects.

Urban Muse: At what point did you decide to become a writer?
Deborah:
I wrote a freelance article for a film and video magazine called "The Independent" when I was in grad school and working for UNICEF. I loved the whole process, especially having something tangible that reflected the ideas and words that came out of my brain. It was about two yearsafter that first article that I did some career management work and started visualizing my ideal future career, and that's when I realized I wanted to be a writer. I set a ten-year goal for making that dream areality, and I was able to do it in five.

UM: Could you tell us a bit about how you got your first book published?
D:
My first book was a running book for women called Run for Your Life, and I kind of figured out the whole publishing process as I went along.When I first got the idea for the book, I went out and bought Michael Larsen's How to Write a Book Proposal, which basically walked methrough the whole process of what went into a proposal for a nonfiction book. I followed this book to the letter and put together a very hearty (albeit a little naive) proposal. I knew I wanted to try to find representation, so I then researched literary agents who were interested in handling nonfiction self-help for women with a fitnessedge, and put together a short list of about fifteen agents and followed their standard processes for submitting new projects. All but one agent passed on the book, but the one who was interested wasactually my top pick, so I was thrilled when she asked to represent me. My agent then went about pitching my book around, and we got a ton of rejections. But my agent's submissions editor assured me they would plug away until they found the right home. Then one morning about tenmonth slater, before leaving for my "real" job, I got a call from myagent saying that a publisher was interested, but wanted some moreresearch about the market for the book. By the end of the day, I emailed them every number I could find to prove to the publisher that there was indeed great potential for sales. The next day, they made an offer.

UM: Any tips on dealing with rejection?
D:
Don't dwell on it and try to move on to another idea. Like many writers, I have a folder of perfectly good book proposals and ideas that never sold. But I hang on to them because just because something didn't sell right away, doesn't mean it won't down the road. Case inpoint, my book that came out last spring, In Their Shoes:Extraordinary Women Describe Their Amazing Careers, was initially entitled Dream On, and my agent pitched it unsuccessfully in 2002. But an editor I knew who had seen the project never forgot the idea,and two years later when she was in the position of overseeing a teen imprint, she emailed me and said, "I think it's time to do your careerbook idea." I'm hoping that I can resurrect some of my other book ideasas I become more established in my field.

UM: You do a lot of writing for teen and tween girls. How do you stay current on what teens and tweens are thinking and doing?
D:
I'm a research junkie, and I read as much as I can from a variety of sources to stay "in the know." I subscribe to all the teen mags like CosmoGIRL and Teen Vogue, watch MTV and The N, am an avid reader of a blog called Ypulse that highlights news about tweens and teens, andhave Google Alerts set up for a myriad of subjects relating to teens. I also have a fairly broad network of teens that I communicate with, mostof whom I met through the writing of my Chicken Soup series for teens,"The Real Deal." Lastly, I have a small advisory board of teens from around the world who I touch base with when I'm researching an idea.

UM: Could you tell us about your next project?
D: I have a book for teen girls coming out in April called Chill: Stress-Reducing Techniques for a More Balanced, Peaceful You with Simon Pulse. It's basically aimed at overwhelmed, overscheduled teensand gives them tools for surviving their hectic lives. My agent is also about to go out with a new proposal for a nonfiction self-help/chicklit book aimed at twenty-somethings... fingers crossed!

UM: I think we could all use a book like that, Deborah. Thanks so much for sharing your story. Read more on Deborah's website and blog.

Wednesday, March 5, 2008

5 Q's with Amy Paturel

Now that I'm back from vacation, it's time to start up 5 Q's again. This week I'm interviewing health writer Amy Paturel, who has written for Self, Shape, Cooking Light, and many other publications. I discovered Amy's website because her query letter was one of the examples in Query Letters That Rock! Here is Amy's advice on writing.

Urban Muse: Could you tell us about your first big clip?
Amy:
My first big clip was for Health Magazine. I read a story in Tufts Magazine (my alma mater) about two researchers who had discovered a healthy bacteria (probiotic) called LGG. I was fascinated by the idea of bacteria that could be good for you, so I crafted a query, sent off the pitch — and waited! I followed up every week or so, until the editor finally got back to me with a yes. She wanted a department length story. I was thrilled.

UM: How do you handle the financial ups and downs of being a freelance writer?
A:
It’s tough. For me, it’s a matter of having at least one or two solid contract gigs that provide stability. I do newsletters for one organization and some editing work for a second, so no matter how slow things are with freelancing, I know I can rely on some income coming in.

UM: Is there anything you know now that you wish you knew at the start of your writing career?
A:
Hmmm ... That’s a tough one. There are A TON of things I know now that I wish I knew at the start of my career, but I suppose learning those things along the way is how we grow — both personally and professionally. I fell on my face at least a few times and made some really stupid mistakes, but somehow I ended up on my feet with a fantastic career. You just have to trust the process and enjoy the journey.

UM: Any tips on finding original (and saleable) ideas for stories?
A:
Look in obscure places — local papers, alumni magazines and don’t forget friends and family. More often than not, the stories I write relate to me on some level. I choose to write about topics that move me, whether it’s food, wine, personal relationships or health. The ideas come at the most unexpected times. Get out into the world, talk to people, watch ... The ideas will come.

UM: Your specialties are health and nutrition. How important do you think it is for a freelancer to find a niche?
A:
For me, it was vital. I think it depends on the writer though. Kelly James Enger’s book for freelance writers called Ready, Aim, Specialize offers some excellent tips in that regard.

Thanks, Amy! Next week I'll be chatting with Deborah Reber about writing for teens and tweens.

Wednesday, January 23, 2008

5 Q's with Kim MacGregor

Kim MacGregor is the author of Be... a Woman, a beautiful book combining photography and prose to celebrate woman of all ages and shapes. Here, Kim talks about writing, publishing, and finding inspiration.

Urban Muse: Tell us about your inspiration for Be…a Woman.
Kim: That's a loaded question – my inspiration comes from so many sources. My mother and my three little girls are definitely at the top of my list. My mother battled breast cancer at forty-two and lost her battle with colon cancer at fifty-three. Her courage, encouragement and unconditional love through all of life's challenges gave me a marvelous foundation. My little girls teach me about the beauty in the world, about non-judgment and about love and acceptance. My husband has inspired me to believe in the power of forgiveness and friendship found through love. I am deeply moved by the way life's tribulations force me to look for the lesson - the truth in what's happening and to grow through it, rather than resist it. I see beauty in the face of every woman, at all the various stages of evolution in each woman's journey. My friend and business partner in this book, Arline Malakain, inspires me through her visual genius and her spiritual quest. I am inspired by a smile, a hug and understanding – by the complexities we create and the simplicities we discover, along the journey of life.

UM: Did you find an agent or a publisher first?
K:
We had a fabulous literary agent in New York who loved our book concept. She pitched the heck out of our proposal. We got two great bites but turned both down. In the first deal, the publisher wanted to sell it exclusively to one corporation. In the second offer, the publisher wanted to turn it in to a Mother's Day book. The rest didn't think it was sexy enough or quirky enough and they were right. We were creating something that shows women what makes them ALL beautiful – it wasn't supposed to be out of a magazine – it was supposed to be TRUTH. We self-published and have a new lit agent now.

UM: What was the best writing advice anyone has ever given you?
K:
My mentor, Dave Chilton said, "Writing is rewriting!"
He also said, "The success of a book is directly linked to your passion for the topic." Arline and I are extremely passionate about this topic!

UM: What other writers inspire you?
K: I love Marianne Williamson, Maya Angelou, Mitch Albom, Paulo Coelho, Charles Dickens, and William Shakespeare, among others. (ed. note about Mitch Albom: the bf and I watched the movie version of Tuesdays with Morrie this weekend, and I cried the entire time - such a moving story!)

UM: What's next for you?
K: Creating awareness about Be…a Woman is my primary focus. The effect the book is having on women is so powerful. It feels great when women "get" our message and look at themselves and each other with a softer gaze, increased confidence and acceptance. We are working on creating a way to honor extraordinary, ordinary women every month. Not for MBA's, CEO's or Pulitzer prize winners only – it is for any woman who is amazing in that quiet, modest but powerful way. We are also working on jewelry, t-shirts, and a web show. Lots of exiting stuff. Thanks so much for asking!

Thank you, Kim! For more information, visit www.be-awoman.com or contact Kim MacGregor .

Wednesday, January 16, 2008

5 Q's with Wendy Tokunaga

Continuing our series of interviews with other writers, Wendy Tokunaga's novel, Midori by Moonlight, debuted last September. Here, Wendy shares her thoughts on writing, publishing, and choosing an MFA program...

Urban Muse: Any tips for first-time novelists?
Wendy:
I would make sure that you have trusted readers for your novel soyou'll get useful, constructive feedback. You want critique partnerswho know what they're talking about and will be honest in a helpfulway. It can sometimes be illuminating to get advice from a manuscriptconsultant. This could be a writing teacher or published author whooffers this type of service. You should also expect to revise yourmanuscript a number of times and to put it aside for a while so youcan look at it with fresh eyes.

UM: What was harder--finding an agent or finding a publisher? Why?
W:
I never approached publishers directly. I knew that the best way toreach my goal was to find an agent, but getting an agent was difficultfor me. MIDORI BY MOONLIGHT, my debut novel, is actually the fifthnovel I have written. One other (NO KIDDING) I self published throughiUniverse in 2000 after being rejected by many agents. I did get anagent for my third novel through a connection from a writer friend,but he could not sell the book and we parted ways. With MIDORI Ifinally found my wonderful current agent, Marly Rusoff. After I signed with her, it only took about six weeks before I had a two-book dealwith St. Martin's.

UM: How do you deal with rejection?
W:
Rejection is hard and I don't think anyone ever gets used to it. WhenI kept sending out my manuscripts to agents and continued to getrejected the only thing that kept me going was that I eventually sawprogress as I got more positive comments from agents. I could tell Iwas getting closer. I kept writing, kept trying to improve my craft.The important thing is that I didn't give up. It took a while, but itfinally happened. But you really have to love to write, be passionateabout your work, and you have to be open to criticism and to improving.

UM: You are currently in an MFA program in writing. What are the pros and cons of pursuing this path?
W:
Yes, I am currently in the MFA in Writing program at University of SanFrancisco and I will graduate in the summer of 2008. I am really enjoying this program a lot and feel privileged to be able to studythe techniques and styles of great authors and workshop my own writingwith some very talented professors. However, this path may not be foreveryone and it certainly isn't a prerequisite for getting published.An agent seeing in a query letter that a writer has an MFA may get youout of the slush pile, but most programs are quite expensive so thatshouldn't be the sole reason for applying. I applied to the programbefore I had an agent or book deal because I finally had theopportunity and it was a way I felt that I could keep seriouslypursuing writing. Right after I started I signed with my agent so it was kind of an unusual situation.

UM: Any advice on choosingsuch a program?
W:
There are many different types ofprograms out there -- even ones where you are only on campus for a fewweeks out of the year. These are called "low-residency" programs and they work well for people who have full-time jobs and who want to attend schools that are far from where they live. Since I'd spent thepast eight years doing freelance writing from home, the USF program appealed to me because I would be on campus interacting with students and teachers face to face full time. I suggest that those interestedin perhaps pursuing an MFA pick up a copy of Poets & Writers magazine,which has many ads and info on MFA programs all over the country.

Thanks, Wendy! For more on Wendy and her books, check out her website and blog. She also has some tips for writers (including the query letter she used to land an agent) here.

Wednesday, January 9, 2008

5 Q's with Judy McGuire

Judy McGuire contacted me when I was working on a dating article. I had way more sources than I could ever use in a 900 word article, but then she told she her book, entitled How Not to Date, was coming out in early January (*cue the lightbulb*) and I figured she'd make a great 5 Q's subject...

Urban Muse: How did you get started as a relationship columnist?
Judy:
I’d been a writer and editor for a bunch of years when I hooked up with an animator named Richard Mather and we started working on a TV pitch called “Dategirl.” It was about a sex & love advice columnist who lived in Williamsburg, Brooklyn.

Much to our great shock, we got a development deal with MTV. We were so excited! In fact, I was in such a tizzy that I quit my job working as a heroin ethnographer and took a temp job working as a fact-checker at Allure magazine.

We went through nine months of development with MTV and then, just as we were going to pilot, they pulled the plug, saying they never really understood the main character. I was pretty devastated. I’d derailed a career in academia and was spending my days calling cosmetics PR agencies to double-check the spelling of some fugly new blush. It was a low point.

Then, Richard Martin, an editor from the Seattle Weekly I’d met while he was vacationing out here, emailed and asked if I was interested in becoming the character I’d pitched to MTV. The paper was looking for a new sex columnist and he thought it’d be funny if I wrote it. That was in 2000 and I’ve been doing it ever since. It’s also run at various times in the NY Press and Men’s Fitness.

UM: Do you ever get questions that you’re not sure how to answer?
J:
I’m kind of a know-it-all, so that rarely happens. The only one I can think of is when a pedophile wrote me, saying he was having trouble controlling his urges to touch little girls. That was pretty horrifying; especially after he turned up on the news a year or two later.

UM: How long did it take for How Not to Date to go from conception to bookshelves? Did anything surprise about the publishing process?
J:
It was actually a fairly quick process—I got an email from an editor at Sasquatch Books, asking if I’d be interested in writing a book. Uh, yes, please! I had about three months to write it and it’s coming out this Thursday (ed. note: that's tomorrow, folks!).

There were a couple surprising things about the publishing process—first, I’m really horrible at pitching myself, so it was nice to have an editor approach me. Another surprise is how vulnerable and sort of horrified I am at certain aspects of it being out there. The possibilities of bad reviews don’t particularly bother me, but learning that family members have been ordering copies and will now know about some truly humiliating parts of my life is kind of horrifying.
Does my Aunt Eileen really need to know that I had sex with a giant-cocked, support-hose-wearing Lithuanian in a lame attempt to make his roommate jealous? Probably not. Holidays at my house are never going to be the same.

UM: Any new projects coming up?
J:
I’m working with a production company on some television pitches and rewriting my memoir proposal. One of my biggest failings as a writer is pitching, so I’m going to try and remedy that this year.

UM: What other writers do you admire?
J:
I love memoirs. Mikal Gilmore’s book, Shot in the Heart—I must’ve read it five times. I also loved Jeannette Walls’ Glass Castle and Girlbomb by Janice Erlbaum. I’m anxiously awaiting memoirs by Felicia Sullivan and my old friend, Valerie Frankel.

Curtis Sittenfeld’s Prep was great and I adored Alison Bechdel’s Fun Home. Redmond O’Hanlon, John Waters, Merill Markoe and Cynthia Heimel crack me up, as does the universally beloved David Sedaris. I’m also a fan of tough guys like Pete Dexter (God’s Pocket is one of my all-time favorites), Dennis Lehane, Nick Tosches and early James Ellroy.

Thanks, Judy! Congrats on the book release.

Wednesday, January 2, 2008

5 Q's with Kelly L. Stone

When I read that Kelly L. Stone had written a book called Time to Write: Professional Writers Reveal How to Fit Writing into Your Busy Life, I knew she was the perfect 5 Q's subject! In fact, the multi-talented and gracious Ms. Stone responded to my email request within the hour and the rest is history. In addition to contributing to several anthologies, publishing novels, and working as a licensed counselor, she also written for Writer's Digest, Family Circle, and other magazines. Here is her advice on finding time to write...

Urban Muse: You interviewed over 100 writers for your book. How did you keep all of your interviews and research organized?
Kelly:
It was a challenge, believe me! I made a separate file folder for each author that included their individual interview, their bio, and any other pertinent information they’d sent me, and I also put all the interviews together in a single word document file on my computer. The interviews came to about 225 single spaced pages. After I had an outline of Time to Write, I read through the interviews and pasted into each chapter the relevant quotes that I wanted to work into the writing. For the research material, I did most of that online, so I made a separate folder in my e-mail where I’d send myself links to various studies and whatnot so that I could easily find them again. A lot of the psychology information came from my old college textbooks that had been stored in the garage. It was nice to have a use for them again!

UM: Many writers do online research and surfing the web makes it easy to get off-track as you check facebook profiles, shop around on Amazon, etc. “just for a minute.” Any tips on cutting out distractions as you research online?
K:
The Internet is the bane of many writers, even the professionals I interviewed for Time to Write. There are several ways to combat this problem of getting sucked into cyberspace. Some of the writers I interviewed have a second computer for writing that isn’t connected to the Internet. Some write on an Alpha Smart and then download the day’s work later into their computer. Others simply close out their Internet browsers while they write; bestselling author Susan Grant told me that she actually unhooks her cable box from the wall to eliminate the temptation to check e-mail or surf.

When you get online to do research, exercise self-discipline. Set a timer for however long you think you’ll need to get it done and force yourself to focus only on your research during that time. Last, here’s a little trick many of the writers I interviewed use – reward yourself when you’re done. Each time you get through your writing or research session without checking e-mail, shopping online, or Internet surfing, do something nice for yourself. You can even use those online activities as your reward. Do what works for you. Writing is hard enough without feeling like you have to give up doing the fun stuff, too.

UM: How do you keep from getting burnt out as you juggle your job and writing projects?
K:
This is a great question. There are a couple of things I do. First, I write what I love to write. My day job provides my primary income, so I don’t have to take on writing assignments that I’m not interested in just to pay the light bill. I have the luxury of focusing on my long-range writing goals and my Vision of Success, which helps me avoid burn-out. Mostly, I look forward to writing each day (mostly). I also take breaks when I need them; sometimes it’s a day, sometimes it’s a week or more. This is another success strategy that my authors discuss in Time to Write— the importance of taking a breather and how to determine when you really need a break versus when you’re just goofing off. As one writer in my book said, you have to honor the source of your creativity. You have to let the well refill from time to time. How much time is needed for that to happen varies from one writer to the next. Everyone’s process is different.

UM: Should fiction and nonfiction writers apply the same time management strategies?
K:
Yes. My extensive interviews with 104 professional writers in all genres revealed that the effective time management strategies that successful writers have in common, no matter what they write, are: setting a writing schedule, adhering to that writing schedule under all circumstances barring illness and true emergencies, creating deadlines for getting the various stages of their projects completed, using some type of “quota” system to ensure that they complete their work consistently-- for instance, writing a certain number of words or pages at each writing session, making a plan ahead of time for dealing with distractions (such as the Internet in question 2), and creating what I call a Vision of Success to help them stay focused and motivated over the long haul. There’s more, but these are the foundation time management strategies of all successful writers. In Time to Write, there’s a chapter devoted to each of the strategies that spells out exactly how successful writers use them in their day-to-day lives, and so it makes it easy for aspiring writers to implement them, too. If you use the techniques that I describe in the book, I guarantee you that you will find time to write no matter how busy you are.

UM: What’s next for you?
K:
I’m working on a sequel to Time to Write, I’m polishing up my second novel so that I can present it to my agent, and I have a third novel in the beginning stages.

Thanks, Kelly! To sign up for her Time to Write newsletter, go to her website and click on “newsletter” button on left hand side.

Wednesday, December 12, 2007

5 Q's with Mridu Khullar

Mridu Khullar is a freelance journalist based in India. She's written for Marie Claire, ELLE, Chicken Soup for the Soul, and many other publications. Here, Mridu discusses her approach to writing and managing her time.

Urban Muse: What writing piece are you most proud of? Why?
Mridu:
One of my favorite pieces is one that I did earlier this year [for East West Magazine] about rural Indian women starting a newspaper—Mahila Paksh—to talk about their grievances and the injustices in their community. The piece was published in February '07 and received a lot of attention.

Through an interview I did with NPR about this newspaper, someone at an American university learned of the story, and is now looking into sponsoring one of the women to attend a conference there.

In addition to the fact that this story is about people changing their circumstances by refusing to accept injustice, it's also special to me because it proves how important words are. That what we do is important and has the power to create lasting change. If a small newspaper in rural India can change a whole community, can you imagine what we, with our high-tech gadgets and unlimited resources, can do?

UM: Any tips on dealing with rejection?
M:
Chocolate helps. Alcohol helps a lot. Obsessing over it doesn't.

UM: Both of us are on writer’s forums, and I sometimes struggle to tear myself away, even though I know that there is no direct monetary compensation. How do you make sure you’re not spending too much time on non-revenue generating activities like posting on forums?
M:
I'm only active on three, actually. One's a critique group, the others are discussion lists for professional journalists and writers, where we share contacts, ideas and have discussions on the craft.

I spend an hour on average on these groups every day. But while it may seem that they're time-sucks, they're actually free education. We're all contributing to, and pulling from, a professional pool of knowledge on a daily basis, and that's priceless. It does lead to monetary compensation indirectly in terms of furthering my career and giving me professional contacts.

As for making sure I'm not over-doing it, setting a time limit helps. I also try to limit the number of forums I'm active in. I've found three that I trust, and hence don't feel the need for more.

UM: Any tips for other writers trying to crack markets in other countries? How do you deal with currency exchange or editors and interview subjects who are halfway around the world?
M:
Currency conversion works in my favor since I'm living in India. For American writers, pitching to European markets is a good idea, as far as the money aspects are concerned.
I use e-mail for service pieces, but for my other stories, I mostly just call my experts or sources. Skype is good, too, if you're on a budget. There are software packages that will let you record those conversations.

The one piece of advice I'd give to anyone who is either writing for an international market or about an international subject is to: (a) know your audience, and (b) know the culture of the people you're writing about. I often find incorrect information about Indian culture in pieces by foreign reporters, some of whom have spent several years here. I wrote an article on the subject here.

UM: Your website includes some great tips on goal setting. What are some of your goals for 2008?
M:
Find work-life balance. I'm either a raging workaholic and can forget everyone and everything around me when I'm obsessed with a story, or I can go two months without writing a single word and feel no guilt. I did good this year by combining both aspects of my life, but think I'll need to work on it a bit more in the coming months.

Then of course, there are the usual how-much-money-will-I-make kind of goals. I have extensive Excel sheets that outline exactly how much work I'm going to do every day of every week of every month, and exactly what that is going to translate into in terms of money and career prospects.

By the end of January each year, I throw them all out.

This year, I'm trying to be saner about the whole thing. That's the goal. Sanity.

Good luck, Mridu, and thanks for sharing your insights. This is the final 5 Q's for 2007. Check back in January for more!

Wednesday, December 5, 2007

5 Q's with Jen A. Miller

Jen A. Miller and I "met" through the forums on Freelance Success (highly recommended and highly addictive, by the way), and I was thoroughly impressed by her depth of knowledge and willingness to share information. She has contributed to the New York Times, Woman's Day, Psychology Today, and also wrote The Jersey Shore, Atlantic City to Cape May: Great Destinations, which will be published in May 2008. Read Jen's secrets to success...

Urban Muse: Could you tell us about your first big clip?
Jen:
Early in my freelance career, I wrote a regular book feature for a regional magazine. I had just started learning about repackaging the same material for other publications (within your rights, of course), so I took information about a local author and pitched it to Pages, which was a national publication about books and authors. The editor got back to me right away and assigned the article – my first $1/word assignment! I did that with the next local-author profile I wrote for the regional magazine and was assigned a feature in the national magazine (the local magazine article was only a short piece). Pages became a regular gig for me until it folded.

UM: What is the best way to impress an editor and build a long-term relationship with him/her?
J:
BE ON TIME. I can’t stress this enough. Before going freelance, I edited a regional publication and could not believe how many people turned in their articles late. If you are going to be late, for whatever reason, tell your editor in advance. You don’t know if he or she is on a tight deadline, and the last thing you want to do is put him or her in a jam.

Another great way to build a relationship is to not freak out when an editor asks for changes – within reason – especially if this is the first time you’re writing for someone. It’s rare that you’re going to get their style on the first shot, so revisions are normal. Do the changes, and get them back to your editor in a timely fashion.

UM: Any tips on staying organized as you juggle multiple assignments and sources?
J:
All of my assignments are in one binder, and arranged the same way. First is a piece of paper with the assignment name, publication name, deadline, work count, and editor name. To this page, I’ll create an article timeline. When did I call this source? When did he or she get back to me? What’s his or her contact information? This also helps if an editor gives you someone to interview, and that person never gets back to you – I have a timeline of every time I tried to call or email. Then I’ll hole punch any other documents or information relevant to the article and put that behind the assignment page. Contracts also go into this section. When the assignment is done and accepted, it goes into a larger binder. This way, if there’s ever a contract dispute, or I want to re-use a source, I know where everything is.

This doesn’t have to be high tech or expensive either. The binders are cast offs headed for the trash before I snagged them, and the loose leaf was bought at a back to school sale.

UM: How did you transition between writing magazine articles and writing your book?
J:
By writing a book about the same subject I cover in magazine articles! I write a lot about New Jersey, for both local and national publications. I saw that Countryman Press was looking for new destination travel guides, so I pitched an area I knew: the South Jersey Shore, which is how The Jersey Shore: Atlantic City to Cape May (Includes the Wildwoods) A Complete Guide started. Since I already had contacts in the region, I wasn’t starting from scratch. This has also lead to more magazine work – I discovered so many new-to-me places to stay, eat, shop and play that I had buckets of material for new articles.

I also set magazine-like deadlines for the work. That made the work more manageable. Instead of having to write, say, 400 pages, I just had to write 10 by the end of the week.

UM: What is the one piece of advice that you wish you’d gotten earlier in your freelance writing career?
J:
Write for trades, and never expect to be paid on time.

Trade publications make up more of my income than ever before. Even though you might not be able to buy these magazines at Barnes & Noble, they’re still wonderful publications with big readerships. I wrote the cover story to the latest issue of Jeep Magazine. It’s beautiful, was fun to write, and paid more than most of my consumer magazine articles.

I also had to re-learn my finances. It’s not easy going from a regular, direct deposit paycheck to freelance income. And it’s not just the little magazines that are at issue when getting paid, either. I’ve had problems with major magazines and getting paid, sometimes because of an accounting oversight, sometimes not. So stay on top of who owes you what when, and don’t be afraid to ask where your money is. You have to pay the mortgage, too, after all!

Thanks, Jen. Read more on her blogs, Book a Week with Jen and Down the Shore with Jen.

Wednesday, November 28, 2007

5 Q's with Michelle Wildgen

Michelle Wildgen is the author of You're Not You and a senior editor for Tin House magazine. Here, she shares her favorite writers, tips on writing fiction, and more...

Urban Muse: Was writing a novel different for you from writing essays and other shorter pieces?
Michelle: Yes! By the time I began the novel, I had been writing short stories for awhile--which is not to say I know all there is to know about stories (I probably know about a teaspoon of what one needs to know, but it is a hard-earned teaspoon) but I felt reasonably comfortable with it. Yet trying to write a novel made me realize I had read hundreds of them without consciously internalizing how they were put together. How much time did I need to spend setting scene in the first chapter, how many chapters or paragraphs until X, till Y? Did I need some sort of running italicized section throughout the book, between sections, or was that pretentious? It took me awhile to feel I had found a rhythm I could settle into, and I was careful to plan a plot in order to keep myself from babbling. I was willing to change it if need be, but I found that by always writing toward the next thing I could keep my momentum directed.

UM: Where do you get your inspiration?
M:
I think mainly from eavesdropping. I tend to find most intriguing the "average" life that takes a sidestep into something unexpected. I think my scope tends to be smaller, rather than a grand sweep, but maybe that will change over the years. Usually what will engage my attention is a story someone tells me, or simply an anecdote, that is simply something I hadn't thought of before: how do you manage when someone has to speak for you in such an intimate situation, as with Kate, for instance. A story will make me think, "Well, what would THAT be like?" And to answer it, I start writing.

UM: What can an up-and-coming writer to do to really wow an editor?
M:
Wait to send out until your work is really, really ready: polished and thoughtfully wrought and energetic and original. When you think your story is done, don't touch it for a month and look again: you'll see what it needs. It may only be a polish or it may be larger. It may be obvious fixes you needed distance to see, but give yourself that time before you submit it. I think people worry an editor will forget you if you don't stay in their eye, but I know writers who only send me work every now and again, but their work is absolutely ready when they send it, and we jump on it. I don't forget them. Whereas if every time I reply to one story a writer instantly sends me another, I sometimes have the feeling they aren't thinking a story is truly right for us, just sending the next on the pile.

UM: Any tips on staying motivated and engaged during long-term projects?
M:
The old small assignments trick is a good one. Figure out your overall game plan as well as you can ahead of time--for me this was not a detailed outline but a general storyline--and then think maybe not to the end of the book as you first sit down to write, but the end of the chapter. I would ask myself for each scene or section what questions I was answering and what I was raising. And also, be willing to step away from a project for a little while here and there. Say you give your manuscript to a reader-- while they have it, don't look at it. Let it simmer in the back of your head, which it always does, and give yourself space to return to it fresh. I think this is an imperative step, but one a lot of writers fear makes them un-committed. And lastly, if I was getting stuck on a character, for instance, I would step outside the confines of the novel, and just start writing about them in a stream of consciousness way. It would help me remind myself who the character is, and to refresh my view of them.

UM: Aside from your book, what other books do you recommend to aspiring writers?
M:
Alice Munro is genius: she can take a story apart and put it back together however she wants and it works. Her language is unshowy but so beautiful. Lorrie Moore for sheer inventiveness of language, for the mix of humor and pathos. Philip Pullman's The Golden Compass for the sheer dazzling pull of it, and for the way he turns familiar fantasy elements on their heads. Gabriel Garcia Marquez because he makes it look so easy until you try it yourself. Also, reread the books you loved as a kid. See how they strike you from an adult perspective. I find that a fascinating exercise. And really just read anything and everything, books you think you'll like and ones you think you won't. I think you take in more than you realize by showing yourself who does it well.

Thanks, Michelle, and good luck on all your future projects!

Wednesday, November 14, 2007

5 Q's with Sarah Jio

Seattle freelance writer Sarah Jio has contributed to Seventeen, Marie Claire, Cooking Light, and many other magazines that I've been dying to break into. She also has a novel in the works. Naturally, I was excited when she agreed to share her writerly wisdom. Here it is...

Urban Muse: You’ve contributed to a lot of different publications. Do you consider yourself a generalist or a specialist?
Sarah:
Well, I’m a generalist in the sense that I’ll write about whatever sparks my interest. Plus, I love how being a journalist allows you to learn about so many new things – you can’t help but be curious about the world and want to write about diverse people and topics. Still, my work does tend to hover in the “lifestyle” niche. I do a lot of writing about food, dining, diet, and nutrition topics. I also report on health topics, which of course includes nutrition, psychology and the medical realm. I think it’s smart for freelancers to “specialize” as they say, but if you narrow your focus too much, it can be difficult to really make a living.

UM: What tips would pass onto aspiring freelancers?
S:
Get yourself a Web site. When my friend (who also happens to be a really talented Web designer and photographer) Wendi Parriera, designed a Web site for me several years ago, it was amazing how much credibility it gave me. When editors are sitting at their desks in New York, and they can’t meet you or really see what you’re all about, it helps to have a Web site so they can get a sense of who your are. It can be a big boost for a new writer – especially one who may not have a ton of great clips.

*Be as professional as you can be – even if you work from home, in your pajamas. Invest in great-looking and professionally designed letterhead and business cards; and answer your