May 21, 2012

Guest Post: Can I Split an Infinitive? The Story Unfolds

By Susie Brown

I always thought that splitting an infinitive was a major no-no in English grammar, but it turns out that the split infinitive is not as problematic as I once thought.

Thankfully, the English language is versatile enough that it allows a writer to express themselves in a variety of ways.  But sometimes we all get to that point in writing that, although there may be a number of ways to say one thing, there is only one way to express an idea with just exactly the right words.

For example…

Often splitting an infinitive provides the perfect effect, so not having that option in a writer’s toolbox can be limiting.  For instance the phrase “to lovingly attend to his sick mother,” really makes the point that the attention is full of love.  If I were forced to avoid using the split infinitive, the alternatives would not be quite as effective.  Here are a few attempts to avoid the split infinitive in “to lovingly attend to his sick mother…”

  • to attend to his sick mother lovingly
  • to attend to his sick mother in a loving fashion
  • he gave his sick mother attention and treated her lovingly

None of the alternatives emphasize quite how lovingly he attended to his sick mother.

I wanted to find out whether cutting split infinitives out from my writing diet is really necessary, so I did some research.

What is a split infinitive?

The simplest form of a verb is called an infinitive.  There are two types of infinitive, the bare infinitive and the full infinitive.  An example of a bare infinitive is the word “go,” which in its full form would be “to go.”   Likewise, the bare form of another word like “jump” would become “to jump” in the full form.

As you can see the full form of an infinitive adds the word “to” in front of the bare infinitive verb.  Being as the bare form of an infinitive, such as “go,” is only one word, there is no danger of it getting split apart.  Therefore, the danger of splitting an infinitive only matters with the full form of an infinitive, such as “to go.”  If I wanted to split the full infinitive “to go,” I could say, “to boldly go.”  Perhaps the most famous example of a split infinitive is Star Trek’s famous introductory line, “to boldly go where no man has gone before.”  The word “boldly” splits the infinitive verb “to go.”

What’s the Big Deal About Splitting an Infinitive?

In the English language, the full infinitive verb form always consists of two words.  Let’s look at a few other languages too.  Here are some examples of the full infinitive “to go” in some other languages…

  • Latin- ire
  • German- zu gehen
  • Spanish- ir
  • French- aller
  • Irish- chun dul

As you can see, it is not uncommon for the full infinitive to consist of two words.  In fact, that seems to be case in most “western” languages.

Latin- No Split Infinitives

I would like to call your attention to the fact that the full infinitive in Latin is always only one word, and as a result, it is impossible to split an infinitive in Latin.  Let me just reiterate that point, it’s not that there is any rule against splitting an infinitive in Latin, rather it is an impossibility.

Paying Homage to Latin

One of the historical building blocks of the English language was Latin, and therefore there were linguists who felt that it would be disrespectful to do things in English that you can’t do in Latin.  It is worth noting that there were always linguists that disagreed with this position.  Somehow, the opinion that splitting an infinitive is grammatically incorrect became the rule of choice.

What is your opinion about splitting infinitives, do you think that it’s okay to boldly split infinitives?

Susie Brown is a FastUpFront Blog contributor and business consultant. Fastupfront offers business loan alternatives for existing businesses in need of working capital.

Interested in contributing a guest blog post of your own? Check out the guest blogger guidelines.

Image courtesy of zirconicusso / FreeDigitalPhotos.net

PSA: Vote for The Writer’s Inner Journey

Ed. Note: Meredith Resnick is a wonderfully prolific and generous colleague so when Alexandra asked about writing a guest post in support of Meredith and her blog, I just had to share. Enjoy! 

By Alexandra Grabbe

Psst. I’ve got a secret to share. It’s called The Writer’s Inner Journey, a blog by a terrific writer/friend who has just been nominated in the Best-Kept-Secret category at the Bloggies, the annual competition for bloggers, celebrated this month in Austin TX. Her name is Meredith Resnick. Please click over before February 19th and vote. What should I care, you say? Writers need to support other writers, stand shoulder to shoulder, carry the torch for one another. Here’s an opportunity to let the world know writing does matter and make a statement about our – choose one, two at most –

1.) profession

2.) hobby

3.) passion

4.) bad habit

5.) secret vice.

That’s why I’m turning to all you wordsmiths out there, in cyberspace. You see, if you are not familiar with Meredith’s blog, you should be. It allows you to discover useful information on craft, The Journey, working part-time, and lots of other fun topics that rock a writer’s world. A visit to Writer’s Inner Journey feels like stepping into an old-fashioned salon and taking part. Yes, you will enjoy the chitchat but also come away totally energized.

Meredith summarizes what she offers as, “Bestselling authors, professional creatives and emerging voices in quirky dialogue about how they write and why it works” – WHY IT WORKS. Now, who can resist that?

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Guest Post: Create 8 Story Ideas in One Sitting

brainstorming

By Steph Auteri

Having trouble generating new story ideas? In my opinion, that’s one of the toughest things about being a freelance writer. In order to make writing lucrative, you need to come up with ideas that are so fresh, an editor will actually pay you to write about them. And you have to do this over and over again.

One brainstorming tool I like to use is to consider all the different story formats I have at my disposal. Then I take a topic and try to apply it to each story type. What are the story types you should be considering?

1. One great way to break into the print magazine market in particular is with front-of-book pieces. The word counts are small and, sometimes, they don’t even carry bylines, but they’re a great proving ground if you’re a primarily untested young writer.

2. Another good way to build up a portfolio is by writing reviews. It can be quite easy to break into smaller, regional publications with a well-written review pitch, especially if you have access to advance book copies, screeners, etc. Or you could pitch yourself to a publication like Publishers Weekly or Kirkus Reviews. Just send an LOI that highlights your specialty or niche.

3. Have access to a celebrity, public figure, or highly interesting person? Pitch an interview, which can be written in a narrative format, or a Q&A format.

4. Or there’s the personal essay, one of my favorites. While publications may be cutting down on longer-form content, there are still markets for well-written, insightful, and relatable essays. (mediabistro has a great series on personal essay markets they update fairly regularly.)

5. Or you may have noticed that confessional blogging has made way for a plethora of expert blogs. For this reason, how-tos and other service pieces have become the bread and butter of online content. Have a very specific area of expertise? Pitch yourself as an expert and convince an editor you’re the perfect person to tell readers how to choose the best wine and food pairings, or how to convince an ex to take you back, or how to save money in order to purchase a house.

6. Lists do similarly well, both in print and online. Readers love their content in carefully organized, easily-digestible, easily-scannable pieces.

7. Roundups are a type of list, and many readers go bananas for them. They’re penultimate collections of the best… the nerdiest… the most fashionable… the most whatever in a particular genre.

8. And finally, there are features. Sadly, such assignments are also the most highly competitive, as fewer and fewer of them are commissioned every year, leaving only the most extraordinary of writers (or perhaps the most extraordinary of self-marketers?) to land them.

Knowing all of these story formats can be helpful in brainstorming multiple story ideas around one subject. For example, as a crazy cat lady, I’ve written a couple stories for Petside. But I know the subject holds the potential for even more. How could I take this list of story formats and generate eight different story ideas about cats?

1. FOB: I could write a few hundred words containing stats on the most popular domestic cat breeds.
2. Review: I could write a review of Bash Dibra’s Cat Speak.
3. Interview: I could interview pet psychic Suzan Vaughn.
4. Personal Essay: I could write an essay on how the way my husband and I care for our pets makes me wonder how we’ll be as parents.
5. How-To: I could write a piece on how to introduce a new cat to the family.
6. Listicle: I could create a list of the items you should buy if you’re bringing home your very first cat.
7. Roundup: I could create a larger list of the best darn cat comics out there. (I was always a fan of Get Fuzzy.)
8. Feature: I could do up a feature on pet therapy, and how pets help people deal with depression.

I’ve already done at least half of these. And it looks like I have a few more query letters to write up. But before that, it’s your turn.

If you’d like to try this yourself, sign up for my mailing list in order to receive a free copy of Freelance Awesome: A Starter Kit, which includes this story-generation worksheet, among others. Then? Watch the assignments roll in!

Steph Auteri is a freelance writer, editor, and career coach to word nerds. Feel free to check out her blog, or stalk her on Twitter.

Interested in contributing a guest blog post of your own? Check out the guest blogger guidelines.

Image courtesy of luigi diamanti / FreeDigitalPhotos.net

Should You Hire a Writing Coach or Mentor?

coachSome of the comments on my post about picking a freelancer’s brain triggered a related question: when should you hit up someone for free advice vs. paying for it? Full disclosure: I’m a bit of a cheapskate so I tend to take the DIY approach to learning. There are tons of great blogs, books, podcasts, and other resources out there for free or almost free!

However, I also believe in investing in myself and my business, so when freelance rock star Linda Formichelli ran a special on her phone mentoring for writers a few years ago, I eagerly signed up so I could get Linda’s advice on moving from FOBs to features. I don’t remember how much I paid, but it was worth every cent. In a mentoring or coaching session, you get so much more personalized attention than a class instructor can give and it’s tailored to your needs rather than a set curriculum. But how do you know when to shell out for coaching or mentoring? And how do you choose the right person?

I asked Linda and three other pros for their take on this topic.

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