May 17, 2012

"Freelance Nation" – And What This Means for You

This month’s Entrepreneur Magazine has a great article entitled Freelance Nation. Those of us who freelance for all or part of our living know that companies have been hiring writers, designers, and other freelance folk for years, so it’s not exactly breaking news. But it’s interesting to see things from the client side and understand the legal, financial, and other challenges they face when they hire us. Heck, some of us may be hiring freelancers ourselves in an effort to grow our businesses.

If you haven’t read the article yet, take a few minutes to check it out. I’ll wait here.
What does the so-called “freelance nation” mean for us?
The thing that struck me was how important it is (and will increasingly be) for freelancers to communicate their value to potential clients. I cringed at the part about using freelance job boards like Elance, because those sites seem to send the message that freelancers are a dime a dozen and, in some cases, that there are countless workers overseas clamoring for your project, willing to undercut each other on price. That may be true, but you get what you pay for, and you probably won’t get the same level of professionalism as you would from someone who comes through a referral.
So, as clients realize how many options they have available to them, freelancers need to really think about what skills and qualities they offer that make them more valuable than the other guy. Is it your specialized knowledge of the industry that means less hand-holding on the part of the client? Your ability to synthesize long, wordy briefs and make them interesting to the layperson? Or something else? And, of course, none of us want to be see as the kind of contractor mentioned who only views the client as another paycheck, so a little personalized, genuine attention goes a long way.
A sidebar mentions that for tax reasons, most contractors should be paid by the project rather than by the hour to differentiate themselves from employees in accordance with IRS standards. In my opinion, this is good news for freelancers, because it gives us an IRS-approved reason to price this way and emphasizes the value of our work rather than putting a price tag on our time. Some companies see freelancers more as temporary employees, so this approach not only delineates us in the eyes of the IRS, but in our clients’ eyes, too. Temps are generally hired as labor, but freelancers are hired for their creativity and/or brain power. (And as we all know, muses don’t always follow a strict schedule.)
No doubt about it: new economic realities have changed the way freelancers and companies do business. And in many ways, that’s a good thing. Though there are more challenges (clients that want top-quality work on the cheap, competitors who are willing to work at bargain basement rates, perpetuating this expectation), there are also more opportunities emerging.
What do you think? Have you observed some of these themes in your own freelance relationships? And for you veteran freelancers, how has your business changed over the last few years?
Flickr photo courtesy of NinJA999

Guest Post: Drawing on a New Writing Practice

By Kelly Watson

A new trend has gained popularity among writers in recent years. Many swear by this technique, saying it brings new clarity to their writing. When done over time, the practice can improve concentration, sharpen observational skills and breathe new life into tired prose.

All writers must do is pick up a pencil and draw.

Surprised? Don’t be. Long before they learn to write, children draw to reflect on the world around them. Drawing can relax the body, quiet the mind and sharpen visual acuity. Yet most people abandon drawing as they grow older, driven away by changing interests or – more often – a feeling of inadequacy.

What Does DRAWING Have to Do With Writing?
Writers who return to a drawing practice may face those same feelings of inadequacy, but the rewards can be priceless. Just ask Danny Gregory, author of “The Creative License” and blogger at www.dannygregory.com.

“Drawing has encouraged me to try new things in writing and to have more confidence,” Gregory says. “The fact is, I only started publishing books after I started drawing a decade ago. Even the books I did with no drawings were fed by the creative energy the drawings inspired.”

Erik Sherman, a freelance writer and blogger for BNET (part of the CBS Interactive Business Network) agrees. “I draw and write regularly,” Sherman says. “I hadn’t thought of whether [drawing] improves my writing, but I do find it vital to do something that is as far from words as I can get. I could see a connection, especially if you were doing narrative work and needed to notice physical details. Learning to draw is really about learning to see – something that most people actually don’t do well.”

Tools and Techniques
To start drawing, you’ll need a pen and a cheap sketchbook from your local art store.

Why not a pencil? Because this drawing practice will be about improving your ability to see – NOT about creating a great work of art. Using a pen will remove the temptation to erase your work and start again.

Start by doing a simple contour drawing, tracing the outline of an object slowly as you trace the it your eyes. (Make it easy on yourself by choosing a simple object such as an apple or a shoe. Save the complex stuff for later.)

When drawing, look down at your paper only to get a sense of where to draw your next line. Don’t worry about shading or other artistic details. Just focus on really seeing what’s in front of you.

You may even want to do a blind contour drawing, which means you don’t look at the paper until you’ve finished. Your image might turn out abstract, but you’ll get great practice at really seeing what you’re drawing: the wear at the toe of the shoe, the beads of fuzz on the laces, and the tiny flakes in the rubber sole.

The Bigger Picture
Over time, you’ll become more confident in your drawing ability. You may want to focus on drawing certain objects that appear in your writing, or just choose a variety of things that stretch your powers of observation.

No matter what your drawing practice, you’ll find yourself with a wealth of new details that can be used to spice up your written work. For more information about drawing and how it applies to writers, check out the books Everyday Matters by Danny Gregory and The Zen of Seeing by Frederick Franck.

Your turn! Have you tried drawing as a way to improve your writing? Leave a comment and let us know!

Kelly Watson is a web copywriter who writes blog posts and other marketing materials for small business owners who are too busy to do it themselves. She also has her own blog at www.OneWomanMarketing.com.

Interested in contributing a guest blog post of your own? Check out the guest blogger guidelines.

Open Thread: Low-Hanging Fruit or Golden Apple?

Like Linda Formichelli, I’ve begun to feel overwhelmed lately, which has prompted me to think about ways to simplify and streamline my business. As a generalist with a few specialties, I’m often chasing multiple stories with multiple publications across multiple niches.

It’s great to have lots of assignments in the works, but sometimes this stretches you a little too thin. So I started thinking … if I were to focus on pitching three publications over the next three months, which would they be? Would I make it a goal to re-establish contact with editors I’ve worked with in the past and land more repeat assignments with publications I’m comfortable writing for? Or would I focus on landing plum assignments with my dream markets, even though it often feels like the odds are against me?
I know if I continue setting too many goals and pursuing too many markets at once (as I did when I was initially building my business and running on sheer enthusiasm), I’ll never escape this feeling that I’m stuck on a hamster wheel, racing to keep up with deadlines and follow-up emails and pitches.
But it’s not a good idea to get too complacent and focus on low-hanging markets, even though those may mean a likelier assignment. I suspect that’s how many people end up writing for content mills. It’s easy money and they don’t have to risk rejection. On the other hand, it doesn’t seem smart to adopt tunnel vision over national markets that get hundreds of pitches daily (the golden apple, if you will).
So, for this week’s open thread, let’s discuss how these conflicting forces relate to freelancers.
I think my ideal scenario is a balance between aspirational markets that stretch me creatively and steady markets that feed my bank account. Of course, if I were freelancing on the side for fun, my priorities might be different. Which is more important for you? Have you found a way to balance the two? I’d love to know!
Flickr photo courtesy of fauxto_digit

A Writer’s Love Letter to the Library

New Books @ Your LibraryEven before I could read, I loved libraries. All the pretty pictures and nice, smiling librarians reading stories aloud! I still love the endless shelves brimming with possibilities, but I rediscovered my love of libraries when a friend and I decided to spend an afternoon working from the new main branch of the Cambridge Public Library last week. If you’re local and you haven’t been yet, do not pass go, do not read this blog post, go directly to CPL!

For the rest of you, here are three reasons to rekindle (with or without electronic reader) your own relationship with a local library branch. An NPR writer recently predicted that libraries will be the next pop culture phenom, but these are my own reasons and they specifically apply to writers.
  • Change of scenery.
    There comes a time in every freelancer’s career when loafing around the house in your PJs or yoga pants gets old. And when that time comes, you could always camp out at your local coffee shop and buy over-priced lattes and pastries (I admit it: I do this sometimes, too). Or you could migrate to a library, where nobody gives you dirty looks for only buying a small coffee and there’s no threat of spilling said coffee on your laptop. Most libraries have a variety of little nooks, crannies, and private rooms available depending on your preferred environment. Many also have free Wifi. (Score!)
  • Endless inspiration.
    There’s something thoroughly inspiring about being surrounded by books and magazines. Each one holds loads of ideas ripe for your reinvention or re-interpretation (I even got an article idea by glancing through the library’s event calendar!). But the inspiration isn’t just for you, it’s also for your readers. Think of all the young people who fell in love with reading thanks to a savvy librarian or a fortuitously placed book cover. Libraries help ensure that authors and other kinds of writers will always have eager readers. And often, they’ll host book readings and set up special sections to help promote local authors.
  • Research.
    Thanks to the library, you can often read several years worth of back issues for a given magazine, request books from other locations, or enlist a librarian’s help in uncovering the perfect piece of background material. Even if you’re an internet-only kind of researcher, you’ll still find something to love about a library. Many give card-holders access to huge databases like LexisNexis and an increasing number let you download eBooks and podcasts through their website.
There you have it. My three biggest reasons to love a library. Do you agree or disagree? Maybe you can think of a few more reasons? Do tell!
Flickr photo courtesy of Walker Library @ MTSU