In my freelance writing class earlier this week, many of the questions focused on money. How do you earn a living as a freelance writer? Is that even possible? And what do successful freelancers do that we should emulate?
To be fair, I do earn a decent living as a freelancer, but there are other writers who make a whole lot more money than I do. They might be better time managers or better negotiators. Or they happen to have some really kick-ass connections because they’ve been freelancing longer.
These are some of the principles I try to follow.
Think beyond the glossies (or even magazines in general). Sure, it’s nice to get an article in a national magazine like Yankee or Redbook or The New Yorker. I sometimes find myself pouring lots of energy into pitches for these types of publications. However, the reality is that while it’s fun to pursue your dream market, you often get a higher return on investment with alternative markets like websites, newsletters, custom or trade publications, and regional magazines.
These editors are often more receptive to pitches and may even have steadier assignments because there are fewer competent writers competing for the editor’s attention. Ditto on other clients who might need a steady supply of speeches, white papers, or email campaigns. You won’t necessarily get a byline for those, but in my opinion, the important thing is the name on the check. Other options for writers include teaching, fact-checking, proofreading, etc.
Think relationships, not just projects. Lately I’ve been doing a lot more copywriting than article writing, because those clients tend to have an ongoing need for writers (and there’s no need to pitch). It’s much more efficient to cultivate a relationship with one person who can assign five articles or blog posts or press releases as opposed to five different people who each assign only one.
When I do write queries, I try to target magazines or websites that use freelancers on a regular basis. Hopefully I can generate lots of ideas for those pubs (so it’s a topic I’m already familiar with) and make them a regular client. I’d love to get a gig as a regular columnist or contributing editor (who wouldn’t?), but hopefully those opportunities will come as I strengthen those connections.
Think hourly rate, not just a per word or flat rate. As I’ve said before, hourly rates can be limiting to writers who are fast and efficient. But smart writers think about how long an assignment will take before they accept. Is it research-intensive? How many interviews are involved? Will those sources be tough to find? And will this editor request multiple rewrites that will eat up precious time? You can’t always anticipate everything that could go wrong, but you can get a ballpark estimate.
With this in mind, getting $1.50/word at a national magazine might not be such a rate if the article requires extensive interviewing and rewriting to appease a committee of editors.
Think reprints and reslants, not one-shot ideas. Publications are getting more and more rights grabby, so it’s not always realistic to retain reprint rights (and in my experience, there are fewer and fewer markets that even accept reprints). But often you can spin off an idea for multiple markets. For instance, you could convert your own blog posts into handouts for a class you teach or an ebook you could sell. Or you could take that business-owner you wrote about for your local paper and see if the subject's alumni mag is interested in assigning a profile. More on repurposing ideas next week.
Your turn! What strategies have you used to work more efficiently and earn more money? I’d love to know.
Friday, December 4, 2009
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19 comments:
I rarely pitch the major consumer magazines these days. It isn't worth it because they take so long to pay. Also, did you hear that the Time Inc. magazines have established a system where writers pay a fee for expedited payment? How crazy is that? I think I read about it on Gawker yesterday.
I stopped doing magazine work because the hunt was far too time consuming. Constantly following up on queries was a huge time suck, not to mention the ridiculous editing processes.
This is great advice, very similar to strategies I use. I've been freelancing full-time for 10 years. I'm sure others make more or have more glamorous clips, but I'm happy to do what I love and to be able to make a real, viable living at it.
I went even further afield, gave up freelancing, and started a bed & breakfast. I use my writing skills for my promotional blog now. My brother works as a reporter and hopes he can retire before his newspaper goes under. How distressing it is that people with the creative skills required for success as a writer are finding it harder and harder to make a living!
Magazine work is a constant game of pitching, following up, pitching, following up. There are so many other writing opportunities out there that I think your advice is wise to keep yourself balanced--some trade work, some mag work, editing...
@Anon: I saw that about Time Inc. on a writer's forum. Not cool.
Thanks to everyone else who has weighed in. There are some magazine editors that I love working with, but I've learned the hard way that sometimes the bigger names really mean a bigger headache!
Apparently, NBC Universal, which owns iVillage, has launched an expedited payment system that is even worse than Time Inc.'s:
http://gawker.com/5419215/nbc-universals-version-of-the-payday-loan-scam-for-freelancers
Treat what you do as a business. I'm not sure you need to charge hourly rates vs. per word rates, but you should know how a per word rate or a flat fee breaks down in terms of hours spent. Otherwise something that seems lucrative (a $1 a word market) can actually turn into a time and money suck if you end up earning a $1 for a short FOB piece for a glossy that edits by committee. Also know that you will write some things for love and other things for money, and there's NOTHING WRONG WITH THAT. We all have to earn a living.
Terrific article. I think you have touched all the bases. Like others, I have tired of magazine pitches, and am limiting myself to a few that are known quantities.
Like almost everyone else here, i find pitching and following up a HUGE time commitment. It's hard to keep up enthusiasm for that, and for me, it can get in the way of the love of writing, or at least, dilute it. In the perfect world, editors would know what they want and share it with you and then trust you to write it right.
Susan, this is all such good advice, especially the bit about building a relationship, not just sending in ideas. I LOVE it when editors bring work to me, and the ones that do that are the ones that I've been working with for awhile and that I've built a relationship with.
I absolutely agree that relationship building is key to success - and happiness. Relationships can be "real" both personally and professionally. They can be enjoyable and meaningful. And when they are they will continue and be good for all involved.
Valuable post and comments, thanks Susan.
Take your writing one step further and become your own publisher. With the right blog topic, writers can attract advertisers, make money and be in control of their product - the written word.
@Donna: That's a great suggestion! In fact, one of my goals for 2010 is to finish the ebook I've been thinking about for these last few months.
"$1.50/word at a national magazine might not be such a rate if the article requires extensive interviewing and rewriting to appease a committee of editors."
This is so, so true. $1.50 from a trade is so much easier to make, time-wise.
Great post! Thanks :)
Just found your blog; it's great! I'm an associate editor at a trade magazine, and what you said about less competition for competent writers hit the nail on the head; my head editor and I get giddy when we get a pitch from a decent writer. We love establishing long-term relationships with freelance writers. Unfortunately, we just don't have the time to reach out to them. But when they come find us, and have great clips to boot, we are beside ourselves. Focusing on the regional or trade markets might be less glamorous, but it will definitely bring in more money!
I freelance on the side, and if anything ever happened to my job I'd try to make a go of it full-time. The only thing I really worry about is that a lot of people have the same idea as me, so there would be more competition in the freelance market considering that it's hard to secure a job in journalism now.
The bottom line is that "globalization" is making it harder to earn a decent salary for any work, including writing. If your monthly expenses are $3,000.00 it is hard to compete with someone across the world whose monthly expenses are only $300.00.
The real key is to have a spouse or significant other who can support you while you write. That way you can focus more on the writing and less on the money.
Such good advice. I've finally started to focus on the kinds of writing that fit my lifestyle, rather than reaching for my dream pubs right now. As a mom of three, I need writing assignments that are easy to break down into chunks and that can offer timely payment. Thanks for reaffirming my strategy, Susan!
@Anonymous: I completely disagree. Yes, there are companies that are paying $2/article and hiring overseas writers, but many other companies understand the value of quality content. That's something you generally can't get from someone writing in their non-native language about topics they've never experienced firsthand.
And as for the wealthy spouse, well, I can attest that that simply isn't so. I'm an unmarried writer supporting myself completely from freelancing, and I know many people who are in the same exact boat. It is possible, but it requires discipline and flexibility and excellent time management skills.
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